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Jazz standards are musical compositions which are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the so-called Great American Songbook.〔(What Types of Compositions Become Jazz Standards? ), ''jazzstandards.com'' - retrieved on March 20, 2009〕 In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that has been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard if it is widely played among ''jazz'' musicians. The jazz standard repertoire has some overlap with blues and pop standards. The most recorded jazz standard was W. C. Handy's "St. Louis Blues" for over 20 years from the 1930s onward, after which Hoagy Carmichael's "Stardust" replaced it.〔(St. Louis Blues ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕 Today, the place is held by "Body and Soul" by Johnny Green.〔(Body and Soul ) at ''jazzstandards.com'' - retrieved on February 20, 2009〕 The most recorded standard composed by a jazz musician is Thelonious Monk's "'Round Midnight".〔 ==Before 1920== (詳細はKing Oliver's Creole Jazz Band, New Orleans Rhythm Kings and others included a large number of Tin Pan Alley popular songs in their repertoire, and record companies often used their power to dictate which songs were to be recorded by their artists. Certain songs were pushed by recording executives and therefore quickly achieved standard status; this started with the first jazz recordings in 1916, with ''That Funny Jas Band from Dixieland (1916)'' by Collins and Harlan for Thomas A. Edison, Inc. on Blue Amberol in December 1916 and in 1917, when the Original Dixieland Jass Band recorded "Darktown Strutters' Ball" and "Indiana". The first record with 'Jass' on the label, ''The Original Dixieland One-Step'' was issue 18255 by Victor Talking Machine Company in 1917. Originally simply called "jazz", the music of early jazz bands is today often referred to as "Dixieland" or "New Orleans jazz", to distinguish it from more recent subgenres. The origins of jazz are in the musical traditions of early twentieth-century New Orleans, including brass band music, the blues, ragtime and spirituals, and some of the most popular early standards come from these influences. Ragtime songs "Twelfth Street Rag" and "Tiger Rag" have become popular numbers for jazz artists, as have blues tunes "St. Louis Blues" and "St. James Infirmary". Tin Pan Alley songwriters contributed several songs to the jazz standard repertoire, including "Indiana" and "After You've Gone". Others, such as "Some of These Days" and "Darktown Strutters' Ball", were introduced by vaudeville performers. The most often recorded standards of this period are W. C. Handy's "St. Louis Blues", Turner Layton and Henry Creamer's "After You've Gone" and James Hanley and Ballard MacDonald's "Indiana". 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「jazz standard」の詳細全文を読む スポンサード リンク
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